Handverlesen aus der gleichen festivals-Auswahl, bewertet für dieses Wochenende.
FESTIVALS
The Applied Arts of the Brücke Artists
The applied arts of the Brücke have been little studied and exhibited to this date. This is all the more surprising given that Karl Schmidt-Rottluff, Ernst Ludwig Kirchner and Emil Nolde spent their lives designing furniture, jewelry and carpets in addition to their paintings…
FESTIVALS
Muslim InVisibilities: Creating Relationships
Muslim life has been part of European everyday cultures for centuries. But is this also reflected by the artefacts in MEK's collection? What are these objects? What do they tell us about the people who made and used them?
FESTIVALS
Rey Akdogan. Carousels
Rey Akdogan (Heilbronn, Cologne, lives and works in New York) focuses her attention on the standardization of materials and perceptual processes that shape the visual present.
FESTIVALS
Gianna Surangkanjanajai. Open
Gianna Surangkanjanajai works primarily in sculpture, attending to situations in which form seems to surface from the conditions that surround it.
FESTIVALS
Vita & Virginia
Love at first sight and until death do us part. Love across the distance as well as up close, separations, jealousy, longing, friendship. Virginia Woolf and Vita Sackville-West met in London in 1921.
FESTIVALS
Iryna Vorona - In the face of war
Whether with fine lines or expressive strokes, the works of Ukrainian artist Iryna Vorona (born 1987) capture with great emotional intensity the effects of Russia's war of aggression on the civilian population of Kyiv.
FESTIVALS
19th IBB Prize for Photography
The IBB Prize for Photography was awarded for the 19th time in cooperation with the Friends of the Berlin University of the Arts | Karl Hofer Society. This year's winners are Jana Pressler (main prize) and Moritz Haase (recognition prize).
FESTIVALS
'Proximity as a state' - Images of humanity by Matthias Gálvez
Matthias Gálvez is one of the most distinctive voices in Berlin's realistic-figurative painting. His works understand proximity not as a narrative motif, but as an experiential state.
