Don't stop at this one.
See all exhibitionsMore worth your time at the same venue, plus a few nearby picks.
EXHIBITIONS
Kapwani Kiwanga. Changing States
Retrospective of Kapwani Kiwanga's work exploring materiality, economic exchanges, and geological temporalities. Includes new pieces created for Fundació Joan Miró.
PHOTOGRAPHY
Gomis Transatlantic
A photography exhibition featuring selections from Joaquim Gomis's archive, showcasing photographs he took during his stay in the Southern United States between 1922 and 1923, documenting the cotton industry and American society of that era.
DESIGN
Joan Miró. Circles
A new presentation of over 100 works curated by Teresa Montaner and Marta Ricart, exploring Miró's practice through drawings from the 1950s-60s and examining the relationship between artworks, space, and visitors.
EXHIBITIONS
Opening the Archive 08. Untitled (1930)
This exhibition presents Untitled (1930), a pencil drawing on Ingres paper recently acquired by the Fundació Joan Miró through donation. The display includes sketches from the series, likely inspired by Georges Bataille's article 'Le Gros Orteil' published in Documents magazine…
EXHIBITIONS
Camilla Wills
An intervention by artist and publisher Camilla Wills in the Fundació Joan Miró's foyer, extending throughout the season to activate circulation of discourses and literature across the museum and city.
EXHIBITIONS
Ghislaine Leung
An exhibition in Espai 13 featuring Ghislaine Leung's conceptual practice, which uses scores and instructions to examine institutional structures, vulnerability, and mutual dependence within exhibition systems.
EXHIBITIONS
Espai 13 Sala 14 Cripta
Michael Kleine's exhibition uses historical objects from the Museu Frederic Marès to create a scenography where light intensity, movement, and acoustics determine presence in the space.
DESIGN
Victor Ruiz Colomer
An exhibition exploring kinetic possibilities within the Fundació's architecture through Victor Ruiz Colomer's interest in thermodynamics and unconventional spatial use.








